DeviantART is counting down to its 100 millionth deviation! Join in on the fun and take a look back at some of the most noteworthy deviations we've seen along the way. The deviant who uploads the 100 millionth deviation could win a special prize, too. Hurry, we're going to hit the 100 million mark soon!














Comments
With the tan/brown paint, I don’t see how that represents sensation. I like how it drips into the space, and I see how that connects the two, but tan alone as a color representing sensation doesn’t make sense. Don’t get me wrong, I like the color, but again, I would have used a more visually stimulating color, possibly a red, or something brighter, sharper to represent sensation stimulation. However, I understand the simplicity of it, and how it represents early human development. That aside, I like the color and I think it makes the painting look good.
I have to say, I LOVE the crisscrosses representing perception. You said, “Things begin to make sense out of the mass of negative and positive in the sensation level.” I think crosses are an excellent representation of positive and negative perceptions, in that, religion can bring meaning, cause, and contentment in peoples lives, while in others, it can become the source of much frustration, pain, depression, and resentment. Excellent choice here and I like how they blend with each other too.
The fade to pinkish/purplish works nice, but it probably could have blended better. Still looks good though. I like the use of circles. In math, circles are easy shapes to draw, but they can be a bitch to understand, much like life. Getting by each day may seem easy, but it sure as hell isn’t, and this is a great way of saying that. The dripping green makes me think of peoples ties to the earth, and how they can be there, but they’re also not permanent, as there are other things in our lives to worry about.
The very last part, of you sitting on the edge, in the universe, all I can say for that is, it is the most brilliant representation of that, and I can relate to that single part soooooooooooooooooooooooooooooooooo much. The way you put it, is excellent, and this is my favorite part.
Overall, this is now my new favorite thing you’ve ever done. You should be extreamly proud of this, because it is hands down, fuckin awesome man. A favorite now and forever.
--
The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over. - Hunter S. Thompson
"I'm happy just to be." - DJ Encore
--
did you hear what the leading cause of divorce is these days?
what?
marriage
--
"The meaning of music can't be a matter of soothing people."
-Olga Neuwirth
first, the tan brushtroke stuff... well, you can't see it very well, but there are other hues in there as well, like reds, browns, ect. one thing i neglected to mention about the sensation symbolism is that the brushstrokes are making like a visual pun... they have texture and feeling to them.... in other words, sensation... the paint itself has sensation to it, instead of just being smooth and soft. i don't know how i came to the color choice of tan... or really many of the color choices i made in this painting. but i think i'm contetnt with most of them.
the crisscrossing i think is a little mis-interprested. it has nothing to do with religion (another girl in my class mentioned this association too) ... its not criss crossing crucifixes, but crossing lines, a pattern, a beginning of shape. it represents our world beginning to make sense with the data coming for our sensory input.
the purple blend is a new technique to me called glazing, where thin layers of paint, thinned with a medium are painted over and give a weird luminous effect. i od'nt have it down to a science yet, but i think it worked well enough here. the effect is a layered combination of all the aggregate... none of them are perfect, but they don't have to be.
the little character came out suprisingly well... i freehanded that shit at like 3 in the morning the night before it was due... i like how he's semi transparent, but i wish he was just a little bit more faded and translucent.
anwyay...thanks so much for the critque. i'll keep them in mind when i'm working on this next painting. i appreciate your honesty, and your compliments as well. and thanks for the fav as well. i hope my next few paintings will be of this calibur as well. the trick is keeping up this level of quality... it took alot of creative energy, an energy i hope i can keep consistent.
--
when i die i want to be cremated and made into various shade of gray-scale paint.
--
when i die i want to be cremated and made into various shade of gray-scale paint.
--
"The meaning of music can't be a matter of soothing people."
-Olga Neuwirth
--
when i die i want to be cremated and made into various shade of gray-scale paint.
And then after reading the thought that went into it, I liked it even more.
I love that you put that much thought into the composition and variety of items in the painting. I think to some extent art should be conceptual, and I really apprecaite that you took the work that far. You pulled it off very sucessfully, in my opinion.
Visually, I was not completely satisfied with the figure at the bottom extending from the door on the flat line. However, after reading about its purpose and meaning, I can understand its being there and I like it a lot better.
I am assuming that the figure is part of the element of consiousness. If you were to explore this idea further in other work, it might be interesting to see if you can depict consiousness more abstractly as well, without the use of family symbols like a door or person.
However, I really like the way you put these together regardless. Its sooo visually intriguing.
As far as other nit picky critique, I feel like compositionally it is a bit heavy on the left, which may be fixed by sliding the door/ head sillouette to the left.
however, this is nit picky and does not diminish the quality of the peice.
I wish I could see it in person, the brush strokes and everything, for even in photo it looks awesome. I love the way each aggregate is depicted in a seperate way, yet they are painted together extremly well. I particularily love the contrast of the circular matrix with the crosses. It get transfixed in the composition at the top, it is soo appealing.
Thanks for posting it. Happiness.
Previous Page123Next Page